By Tobias Carroll Even by the standards of a band whose sound underwent some radical shifts over time, Pink Floyd’s Animals is an outlier. It bridges two periods in the band’s history — what I’d argue is the most popular version of their style (on Dark Side of the Moon and Wish You Were Here) with the more conceptually-heavy period that closed out Roger Waters’s time in the band (The Wall and The Final Cut). But it doesn’t sound too much like either of those two moments, either. What is does have are some of the band’s most intriguing musical moments, along with some stunning guitar work from …
